Monthly Archives: September 2014

Sewing on Paper

Unlike fabric, paper is unforgiving when sewn. Paper remembers.  It remembers every fold, and crease.  It remembers uneven tension, impatient presser-feet, hungry feed dogs.  Paper remembers when your stitches are too close, and when your thread empties.  But, like all good memory-keeping, these blemishes and imperfections show the process.

http://sewingschool.org/2012/09/25/sewing-school-turns-2/

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Disclaimer: I am not a seamstress; I’m a sewing rule breaker. You’ve been warned.  Also, this is an image-heavy article.

I have two sewing machines. One machine is a 16-pound, 12-stitch Kenmore that my mother gave me for Christmas when I was twelve.  It is still one of my very favorite gifts that I’ve ever received.  I have to say that twelve stitches is a stretch; it’s basically straight and zigzag.  But this machine is a beast.  I could sew through sheetrock on this thing.  I’ve reupholstered chairs and vinyl banquettes.  I’ve made countless curtain panels, three quilts, and one pair of jean slippers that I thought would be cool but weren’t.  This machine is approaching vintage status, and even though I have a new machine, the Kenmore stays because it is a workhorse.

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A few years ago, my mom asked me about a sewing machine recommendation for my sister.  And I promptly told her about the Brother CS-6000i that I’d been eyeing for myself.  I thought I needed more stitches.  A fancier interface.  An upgrade.  I also wanted something a little quieter. (The Kenmore roars).  And I was also contemplating a surger—which is a whole other animal.  When my mom surprised me with this new machine a few months later, (she was astonished that I was still using the same old Kenmore!), I was delighted, and test-drove it immediately.  It is a smoother sew.  It is user-friendly.  And it boasts so many stitches (that I really never use).

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The first time I tortured my sewing machine with a stack of paper was over twelve years ago. I stitched the binding on 90 wedding programs for our wedding ceremony.  I can’t recall how I was inspired to do this type of binding, but I do remember that it was time consuming, and I agonized over perfect, straight stitches.  Bookbinders have been sewing together signatures and bindings for a thousand years, with much art and beauty and purpose.

I have some experience with hand-stitched books, but I also use the machine for quick booklets like this little one that I sent off to school with my then-kindergartener. It is filled with family photos and affirmations.  He carried it all year long in a special compartment in his backpack.  It weathered fairly well.

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While I’m still striving for the more artistic side of sewing on paper, I’ve corralled some thoughts here on my process and practice.

I sew on paper because machine and hand sewing act as an adhesive, a way for me to join this to that, and fast. Another reason:  texture.  I have said that the internet robs us all of texture, and even the very best photography fails to give the viewer a truly tactile experience—no matter what filter or app you use.  And, stitching (by hand or machine) is a sure-fire sign of a handmade creation. (Not that it can’t be done in a factory far, far away, but…you can tell).

If you haven’t used your sewing machine for paper, here are a couple things to consider:

  1. Use a new needle, and relegate it for paper only (like we all should with scissors).
  2. Try to keep your needle away from adhesives. You may want to tack your pieces together before attempting to sew; try paper or bulldog clips, or a bit of double stick tape away from your sewing path.
  3. Test thread and bobbin tension on a similar weight of scrap paper.
  4. Widen your stitch length to 3-4mm.  If your stitches are too close, they will lend a perforated effect—which does, however, have its own beauty and use.
  5. Use the same thread in the bobbin as is on the spool.  Or at least the same weight if you want contrasting colors.

Beauty happens when light filters in from the stitches.

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stitching holds a doily in place–no wet adhesive required.

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transparent paper can be tricky; I like to sew or staple it.

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consider the backside of your stitching.

Paper.

I like to test-run all my paper through the machine each time I start a new project. I’ll bet the fabric sewists would concur.

When you are machine sewing paper, the weight of it reckons “Goldilocks.”  Paper that’s too thin, like tissue, tracing, thin floral paper, and old dictionary pages, will likely jam the machine or tear.  You can work around this predicament by using a new lightweight needle, and/or reinforce the paper with interfacing.  Or skip the machine, and stitch by hand.

Stock that is too thick can be coaxed through a machine by hand-cranking the flywheel. Or try a heavy-weight needle for denim or leather, and a very slow pace.  You may have to help the feed dogs by push/pulling the stock along.  You may get tracks from the feed dogs and presser foot pressure.  Speed matters here.

Vintage paper (sheet music and book pages) are sewing staples for me. However, sometimes this paper is really brittle, and perhaps won’t hold up to binding or folding.  You can reinforce the stitching with other bits of paper or fabric, which can be added before or after stitching.  Washi tape won’t gum up your needle as much as other adhesives tend to do.

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unadorned art journal page with machine-stitched edging, and pamphlet-bound signature.

Thread.

Usually, I thread up my machine, and use it use it use it till the thread or bobbin run dry.  I only sometimes change it for a specific color.  It’s auto-pilot on my part, and that could use some evaluating.  I take tremendous care choosing a writing instrument; I should be more thoughtful about thread, line, and stitch.

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these are snippets from our family book (Project Life).

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from 2013 December Daily/Advent Book. white on white delineated lines.

I use all sorts of threads. Modern all-purpose threads work great. (Gutterman, Coats, Mölnlycke are my favorites). But I also find and buy vintage threads because I love the wooden spools, the vintage label, the fading.  These threads work great on paper because you aren’t asking them to hold fast through washes, detergent, or heat.  But know that can be brittle.

Try to back-stitch your ends. That will lock in your thread, and prevent unraveling or an empty hole.  But also, you needn’t!  You can let those ends loose! You can clip them short!  You can leave the tails long and flowing!  See? Rule-breaking.

I sew on paper often. Daily, even.  In making notes for this article, I realized I’m in a rut with my sewing.  I use a one-dimensional technique for lines, outlines, and adhesive.  But little else.  This discovery is exactly why writing and self-assessment are such good tools for creative processes.  I know people are doing amazing things with their machines—drawing with stitches, texture by sew-scribbling over fabric, joining interesting patterns with bold and intricate stitching. I’m now trying to explore and experiment with new-to-me sewing on paper techniques and trials.

Want to see some beautiful, artful threadwork? I admire:

Jody Alexander, Wishi Washi Studio

Mary Ann Moss, Dispatch from LA

Rebecca Ringquist, Drop Cloth Studio

PS: Hey, San Francisco Bay Area bibliophiles! I just wanted to advertise that the San Francisco Public Library is having it’s Annual Big Book Sale  at Ft. Mason next week, Sept. 24-28, 2014.

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Journal-Keeping: 612 Days (and counting) on Record

My Grandpa Ray kept a calendar journal.  He used the annual free wall calendars from Hoffman’s Hardware store.  Each day, he’d jot in the weather, and maybe a note.  For instance: “Cloudy. Cort called.”  Or “Rain-1 in. Morgann here.”  He might state a doctor appointment or if he filled the gas tank, but always the weather.  I love these calendars, and I wish I had them (or just one of them!) to browse through. I really admire his consistency, and his simplicity.

On January 1st of 2013, I decided to start a daily journal.  Just a few lines each day recording minor happenings, and things the boys said.  It was all in an attempt to remember our days, and allow for better documentation and storytelling for our family book (which is my version of Project Life™ that includes stories + photographs).  I wasn’t sure if I would stay on track with the journal.  I have always kept small books for jotting down ideas, and lists, and memories, but I had never had success maintaining a daily journal.

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At the end of February, I’d filled the first journal, and moved into Book Two…which lasted through mid-May, and so on.  I kept the journal on my night table.  By adding the day’s happenings each night, I got into a great habit, and it was so satisfying to have one full journal.  It made me wish I’d started the practice years ago.

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I use journals that had been lying around empty.  My handwriting in these books is downright messy compared to a thank you note or even my grocery lists.  I just wanted to capture the essence of the day, with my filter, mark our course as a family.  Sometimes, I forget a few days.  I take the journal to the dinner table, and we all four chime in and recollect those events.

It turns out that I’m particular about the size.  I think this has to do with the content I’m writing down.  I want to fill a page or two.  And 4X6 inch books are near-perfect.  I happily use lined, unlined, gridded mid-weight paper.  But I always customize the covers.

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I am feverishly repurposing some journals that I have had for a while.  I deconstruct the hardcover, split the too-thick book into thirds, and re-bind in soft cover.  (This process is a whole other story that I’m happy to share).  I don’t need for these journals to last forever because it seems that the very act of writing it down helps me remember things more clearly.

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The journals have become excellent argument enders.  For example, when did we see that Stephen King opera? (Saturday, September 28th).  Who’s turn is it to host a holiday? (Up for grabs).  We also charted our progress through Lemony Snicket’s A Series of Unfortunate Events.  After starts and stops through Book 1, we pulled out Book 2 on Monday, October 14th and read almost nightly through Book 13 on Sunday, February 23rd.  Whew.

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There are days that only have lists of watercolor paint names, or Oscar nominated films we should watch, or notations about the weather (still no rain; we are in a drought!), or what I cooked.  There are lists of what we’re reading, if we see family or friends, and whether the Giants won.  There are days that don’t get recorded, and that’s okay.  To me, it means we’re living.

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Every once in a while, I interview my boys, time-capsuling their favorites; the simple things that they are enjoying right now.  And sometimes my own favorites.  This may seem vain, but here’s the thing.  I would love to have a record of this daily-ness from my mom or my Grandmother.  I’d love to know her go-to nail polish color or how often she met up with her friends.  I’d love to know her small triumphs (forced amaryllis is blooming!) and her challenges (car battery died…again).  Even though I don’t go into much depth, I think you can tell what’s constantly on my mind: my family of four, and the orbit we’re on.  Daily.  And simple.

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